Yale
(for Fanny Singer)
I keep thinking about you.
Those eyes. Those wrists
twirled in the halflight
of the Union league Cafe
like fine calligraphy.
That intellect. Fierce,
in its desire for life,
like red wine on Chapel Street.
Those breasts. Peeping like
Hellenic masterpieces at the dumb,
pretentious, museum crowd,
forever fixated on free food.
Fanny, I dreamt last night
that we were somewhere in Paris,
near the Seine, holding hands
like two statuettes come to life,
learning the geography of love
in Hemingway's moveable feast,
along Avenue Montague, amidst
the fake art shops and ceramic
joys of a decrepit art world.
(Have you seen the video:
"Who the Fuck is Jackson Pollock?)
There was jazz music in the air -
Sur Les Quais Du Vieux Paris by Guy
Lafette - I think, we were kissing,
Then I woke up in Norwich, Vermont
And remembered I had to attend
the opening of an art exhibition
at the Hood Museum in Dartmouth College
New Hampshire. It was raining.
Leaves of all colours were falling.
So, I crossed the Connecticut River
only in my mind, just sat there
on my bed in the loft of 90 Huntley Street
ruminating about you, listening
to the leaves and raindrops dancing
on the tiles above, wishing you
were there in my arms, your head on my chest,
your hair on my breast, your soft,
eloquent, voice pouring your love
and other sweet nothings into my ears
like a slow obstinate honey.
Esiaba Irobi - a poet, playwright, actor and scholar was born in the Republic of Biafra on October 1, 1960, and lived in in exile in Nigeria, Britain, United States and Germany where he passed away on May 3, 2010. He studied at the Universities of Nigeria, Sheffield and Leeds, and held a B.A. in English/Drama, M.A. Comparative Literature, M.A. Film/Theatre, and PhD in Theatre Studies. In 1992 his play, Cemetery Road won the prestigious World Drama Trust Award. His books include Nwokedi, The Colour of Rusting Gold, Cotyledons, Hangmen Also Die, and Why I don't Like Philip Larkin and Other Poems. He leaves behind a wife, Uloaku and a son, Nnamdi.
No comments:
Post a Comment