Wednesday, 31 May 2023

For Bessie Head by Ama Ata Aidoo

The following was written by Ama Ata Aidoo in 1988.


For Bessie Head


To begin with

there’s the small problem of address:


calling you

by the only name some of us

knew you by,


hailing you by titles

you could not possibly

have cared for,


referring you to

strange and clouded

origins that eat into

our past our pain

like prize-winning cassava tubers in

abandoned harvest fields…


Some of us never ever met you.


And who would believe

that but those who know

the tragedies of our land

where

non-meetings,

visions unopening and other such

abortions are

every day reality?


To continue a

confession of sorts,


‘Miss Head’ will just not do

‘Bessie’ too familiar

Bessie Head,


your face swims into focus

through soft clouds of

cigarette smoke and from behind the

much much harder barriers erected by some

quite unbelievable

20th. century philosophy,


saying more of

your strength

than all the tales

would have us think.


For the moment,


we fear and

dare not accept that

given how things

are,


poetry almost becomes

dirges and

not much more.


But

we hold on to knowing

ourselves as daughters of

darklight women

who are so used to Life


– giving it

feeding it –


Death

was always

quite unwelcome;

– taking them by surprise –

an evil peevish brat

to be flattered,

cleaned

oiled

pomaded

over-dressed and perfumed…


We fear to remember:

fatigued as we are by so much

death and dying and

the need to bury and

to mourn.


Bessie Head:

such a fresh ancestress!


If you chance

on a rainy night

to visit,


if you chance

on a sunny day

to pass by,


look in to see

– how well we do

– how hard we fight

– how loud we scream


against the plots

– to kill our souls our bodies too

– to take our land, and

– feed us shit.


Come

benevolently,

Dear Fresh Spirit,


that rejoining

The Others,

you can tell them

now more than ever,


do we need

the support

the energy


to create

recreate and

celebrate…


nothing more

absolutely

nothing less.


Ama Ata Aidoo


Ama Ata Aidoo is a Ghanaian author, playwright, and academic. She was the first woman to receive a degree from the University of Ghana and went on to become a professor of English at the same institution. Aidoo has written several books, including the novel "Changes" and the play "The Dilemma of a Ghost." She is also a recipient of numerous awards, including the Commonwealth Writers' Prize for Best Book in Africa and the African Literature Association's Lifetime Achievement Award. She died on the 31st of May 2023.



Questions - For Us: Today's African Leadership by Ama Ata Aidoo


They say all beings fight to live:

The mole, the lion and the crow.

They say all creatures must fight to be

In the air, on land in water.

And as for human

You and me,

We shoot like wild mushrooms

In the dark –

Sneak up like snakes

Claw like cats

Pounce and Trample,

Conquer

Kill

Consume.

Then we go limp:

Like wild mushrooms

  • At high noon.

So where do we come in

Who feel bad just to be firm?

Damn all these else?

Do our own nice or nasty thing?

Surely, My Brother,

500 hundred years is too long to take the kicks

Without a murmur?

And for what

Do we still come with cup in hand, begging, pleading and

Endlessly shifting?

Who would have us

Be human in a world

Of cruel beasts

And even more cruel men?

How dare we trust,

When

Trust took a vacation — several million years ago — and

Never bothered to come back?

Put quite simply,

In whose name do we ever act?

Whose tomorrow do we sell?


Ama Ata Aidoo


Ama Ata Aidoo is a Ghanaian author, playwright, and academic. She was the first woman to receive a degree from the University of Ghana and went on to become a professor of English at the same institution. Aidoo has written several books, including the novel "Changes" and the play "The Dilemma of a Ghost." She is also a recipient of numerous awards, including the Commonwealth Writers' Prize for Best Book in Africa and the African Literature Association's Lifetime Achievement Award. She died on the 31st of May 2023.



For My Mother in her Mid ’90s by Ama Ata Aidoo

For My Mother in her Mid ’90s

Long
complex, complicated stories:
heart-warmingly familial and sadly colonial.

You know how
utterly, wonderfully
insensitive the young can be?

Oh no. We are not here talking adults
who should know better,
but never do.

Aunt,
I thank you for
being alive today, alert, crisp.

Since we don’t know tomorrow,
see me touching wood,
clutching at timbers, hugging forests:

So I can enter young,
age, infirmities
defied.

Hear my offspring chirping:
“Mummy, touch plastic,
it lasts longer!”

O, she knows her mama well.
The queen of plastics a tropical Bedouin, she must travel light.

Check out the wood,
feel its weight, its warmth
check out the beauty of its lines, and perfumed shavings.

Back to you, My Dear Mother,
I can hear the hailing chorus
at the drop of your name.
And don’t I love to drop it
here, there, and everywhere?
Not missing out by time of day,

not only when some chance provides,
but pulled and dragged into talks
private and public.

Listen to the “is-your-mother-still-alive” greeting,
eyes popping out,
mouth agape and trembling:

That here,
in narrow spaces and
not-much-time, who was I to live?
Then she who bore me?

Me da ase.
Ye da ase.

Ama Ata Aidoo

Ama Ata Aidoo is a Ghanaian author, playwright, and academic. She was the first woman to receive a degree from the University of Ghana and went on to become a professor of English at the same institution. Aidoo has written several books, including the novel "Changes" and the play "The Dilemma of a Ghost." She is also a recipient of numerous awards, including the Commonwealth Writers' Prize for Best Book in Africa and the African Literature Association's Lifetime Achievement Award. She died on the 31st of May 2023.

Ghana by Ama Ata Aidoo

Ghana

Where the Bead Speaks

My uncle was the prophetic one,
throwing his beads this way and that,
diving, foretelling,
warnings galore, sweet promising.
One eye on the past, four to the future,
half a dozen or more for now.
He was good if the news was good;
for evil news we blamed the beads.
 
Made from bones
or fashioned glass,
cut out from stones
or beaten brass
 
It’s the many human hours, Sister,
it’s the sweat and blood, Brother,
which makes the bead a thing apart
from precious diamonds, opals, and gold.
 
Turn them this way, shake them that way,
see how they shine incandescent,
see how they glow
in a million hues.
 
Elegant and enchanting bead,
flowered flawed, folded, or fielded,
you are the true frame of our feasts,
your festivals, fetes, and fiestas.
 
Give me a bead that’s wrapped in joy;
find me a bead to carry my grief.
We sing of beads, and sing with beads;
just see how well they show on us.
 
Beads are the zeze of our joyous trails,
the ziz of life when all else fails.
Beads are zany, zesty, zingy,
the greatest zaiku, a grief zapper.
 
Speak to me of beads, Grandma,
speak to me.
Talk to me of beads, Nana,
talk to me.
 
She brightened up immediately,
she looked at me with a welcome smile.
Grandma pulled up a stool and sat,
she listened well to me and asked:
 
“You want a tale on beads, do you?
You want a tale or two?
I’ll tell a tale or two to you.
But to speak to you of every bead,
 
in words that sing and dance like them,
you and I shall surely need
more than my life in hours and days,
more than your life in weeks and years.
 
A million lifetimes is not much
if beads are the theme, the thought, the thing.
We dive for beads, we swim, we float,
we mine for beads, we comb the woods.
 
Koli beads for the infant
on his wrist and on her waist,
cascades of white beads for the mother,
a very fitting celebrant.

There are beads that are tame
like what welcomed baby here;
there are beads that are wild,
lion’s teeth, lightning struck.
And there are beads around my waist,
For only my and my dot-dot’s eyes!!
 
Have you seen my love tonight?
Asked the ardent warrior youth.
Light of step, curved like a bow,
her eyes were wonders to behold.
 
She was oiled and very clean,
she was powdered like a queen,
she wore a sarong of the purest silk,
her toes were nestled in their thongs.
 
Have you seen my love tonight?
She who wore gold beads in her hair?
Then the pretty maiden asked,
who has seen my love tonight?
 
Who has seen my warrior brave?
he had said no more to war,
he had buried his arrowhead.
His girdle was free of blood and sweat.
 
He was adorned in his very best,
he was oiled like a king,
with beads of silver in his hair.
Who has seen my love tonight?
 
They welcome us here in the palest white
and bid us farewell in black,
sometimes blue, and brown, and red,
metallic green, or indigo.
 
There are beads, by far the most,
that are polished, tarred, and feathered.
There are beads, worked over and under,
elegant hued, thin and narrow.
 
Beads are the zaffered, the zingiest,
the zenith of all great times.
 
Cool, calm, and forever collected,
clawed, clayed, or colored,
constantly changing, bead
you are the best, you are the greatest.
 
So don’t talk to me of the chevron.
Don’t ever talk of it.
Don’t break my ears on the chevron.
Don’t break my ears!!!
 
As barter for my life and yours,
no gem on earth could fit the bill.
Not gold, and if not even gold,
then what on earth is chevron?
 
I dread the chevron.
It was a weapon
of oppression,
and not at all . . . a bead.
 
Seven whole humans for one bead?
And what kind of trade was that?
A layer each of sand and mud
for the lives of our kinsmen?

So what if it was one and not seven?
One soul for a shiny piece of bead?
This sounds like the greatest greed,
this sounds like utter foolishness!
 
Don’t talk to me of the chevron,
don’t even mention it.
Don’t break my ears on the chevron,
don’t break my ears.
 
They say that cheap beads prattle,
rattle, and tattle,
but great beads never talk.
 
Yet if a string of beads is fine,
it sings,
it dances,
it jumps,
and sizzles.
 
If a string of beads is truly fine,
it can speak in a million tongues.
It will have something for all,
and say the most amazing things.
 
And every now and every then
every bead laughs out aloud.
 There are beads that are smaller
than the hopes of a mean mind.
 
Though called bodom, as in a dog,
poochy pug, puggy pooch,
bodom beads, they are so big,
they are the elephants of the pack.
They lead the way
and announce the day.
 
The nature of beads is a mystery,
the how of it, the feel, the glow
of earthly gems: the least and most,
our first and true try to create, to beautify our human selves.
 
The best of doors to human hearts,
our spirit’s window to the world,
beads clothe our woes in vivid color.
Beads like angels plead for us.
 
Beads can lift the heaviest heart.
And like tea and precious brews,
beads can warm us when we are cold,
and cool us when we are hot.
 
Blessed are the beads
that bring us peace.
Spare us, O Lord, in this lifetime,
beads of war, chaos, and strife.
 
No beaded strings of calamities,
earthquakes, floods, and famine.
No veritable tsunamis of woe.
Keep us cool and keep us warm.
 
For each color in the rainbow,
there is a bead, somewhere on earth:
a million years old, if a day,
or shy in its newsness, and done this dawn.
 
Blue beads, green beads,
yellow beads and grey,
black beads, white beads,
red beads and brown.

Your rise from heaps of your own ash
with more of you than ever were.
You, bead, are an awesome one,
you are the phoenix of the years.
 
Their making uses endless hours,
the how, the when, the what of it.
The wearing is by a billion souls
whichever way, however much, and everywhere . . .
 
Mined and molten
man-made wonder,
raw organic, or cooked, and dried,
forever treasured, forever prized.
 
Bettered and bartered,
broken and beaten,
burnt or badgered,
bruised and bloodied
 
you are the never-left-behind,
oldest, ordered, owned invention.
Pure and precious, polished pearl,
still safe, sacred, scraped, or scratched;
 
Traded, treated, tough in trouble,
unique, unmatched, unbreakable.
Verdant velvet, virginal as rain,
beads are virile, vestal, vain.
 
Gilded and golden,
there can be no palanquin.
If you are not sitting with the king,
you are the queen,
the soul, and spirit within.
 
Beads are deserving,
beads are worthy,
wash me some beads to warm my skin,
a token of love, a gift for my kin.
 
Hollowed and hallowed,
jingled, jangled, juggled,
you are our life’s companion,
the closest friend until the end.
 
Don’t tell me if there were no beads
something else could meet our needs.
Something what? Something where?
Please keep it there, even if it’s rare.

Ama Ata Aidoo

Ama Ata Aidoo is a Ghanaian author, playwright, and academic. She was the first woman to receive a degree from the University of Ghana and went on to become a professor of English at the same institution. Aidoo has written several books, including the novel "Changes" and the play "The Dilemma of a Ghost." She is also a recipient of numerous awards, including the Commonwealth Writers' Prize for Best Book in Africa and the African Literature Association's Lifetime Achievement Award. She died on the 31st of May 2023.

Tuesday, 30 May 2023

An Interlude with the Sun by Oladehinde Ibikunle

An Interlude with the Sun 

The feeble sun glided down
Tucking itself into the western horizon
It cast its golden hue on my face
And threw my shadow behind me.
"It will soon be night,
What's undone will soon be rued
And that which was done
Will soon be relished."

Oladehinde Ibikunle

The Land of Unease by Niyi Osundare

The Land of Unease The land never knows peace Where a few have too much And many none at all. The yam of this world Is enough for all mouths...